Even if it was not anthropomorphic, how could we ignore an animated TV commercial for Oreos from Studio Animal (Barcelona), to a lively tune by Owl City?
Fortunately, the 1’30” Wonderfilled Anthem, directed by Martin Allais, is very anthropomorphic, with the Big Bad (Blue) Wolf, the three pigs, vampires, sharks, baby seals, squids, and more. Cartoon Brew’s Michael Ruocco has the story.
Jerry Beck at Cartoon Scoop has posted on Frank Tashlin’s 1946 children’s book The Bear That Wasn’t. In case you are unfamiliar with the famous story, a bear in a forest goes into a cave to hibernate for the winter. He emerges next spring to find that a human factory has been built around him. When a foreman orders him to get to work, and he protests that he is a bear, not a man, everyone tells him, “Don’t be silly! Bears are in the zoo, not in a factory! You are just a silly man in a fur coat who needs a shave!” So he becomes a factory worker, until the next winter when he has to hibernate again.
The moral was not new. It was one of President Abraham Lincoln’s favorite jokes.
“If you call a tail a leg, how many legs does a dog have?”
“Four, because calling a tail a leg don’t make it one.”
These three pocket-sized books contain the Doc Rat daily (Monday-Friday) comic strips from #951 to #1088 (February 15 to August 25, 2010), #1089 to #1218 (August 26, 2010 to February 23, 2011), and #1219 to #1426 (February 24 to December 12, 2011).
Each volume collects approximately six months of the strip, except that Jenner does not break them off in the midst of a story sequence. That is why volume 10 runs to 110 pages, the longest in the series to date.
“Doc Rat. Vol. 8, Yeah Not Too Great, Doc”, December 2011, trade paperback AUS$16 ([76 pgs.])
“Doc Rat. Vol. 9, There When I Needed You, Doc”, June 2012, trade paperback AUS$16 ([76 pgs.])
“Doc Rat. Vol. 10, Listen, Doc”, December 2012, trade paperback AUS$18 ([110 pgs.])
By Jenner, Platinum Rat Productions, Melbourne, Vic., Australia
Animation Scoop has the first trailer for Blue Sky Studios’ Rio 2, out next April. It’s anthro birds, birds, birds!
I just got through reviewing the coffee-table The Art of ‘Epic’ for Animation World Network. (My review should be posted in the next day or two.) In it, director Chris Wedge says that a major reason for Blue Sky to have made Epic is to evolve the studio away from hard-edged, bright computer graphics like in the Ice Age movies, Robots, and Rio. and develop a softer, more dense look, such as that needed for the realistic forest in Epic. It sure hasn’t taken them long to get back to the brightly-colored Rio!
See more: DreamKeepers, Dave’s Essays, Leon on Youtube - animated intro by Rei Vagan.
The voting for the 2012 Ursa Major Awards, for the best anthropomorphic literature and art of the calendar year 2012, is now closed. Voting took place from March 15 to May 15. 1,696 registrations were received, but only 1,113 people actually voted.
The winners will be announced at a presentation ceremony at Anthrocon 2013, held July 4–7, 2013 in Pittsburgh, Pennsylvania. The placing of the voting will be released at this time.
Registrations were received from Argentina, Australia, Austria, Barbados, Belarus, Belgium, Brazil, Brunei, Bulgaria, Canada, Chile, Costa Rica, the Czech Republic, Denmark, El Salvador, Finland, France, Germany, Grenada, Greece, Honduras, Hong Kong, Hungary, Iceland, India, Indonesia, Israel, Italy, Japan, Latvia, Malaysia, Mexico, Netherlands, New Zealand, Norway, Philippines, Poland, Portugal, Puerto Rico, Romania, Russia, Singapore, Slovakia, Slovenia, the Solomon Islands, South Africa, Spain, Sweden, Switzerland, the UK, the U.S.A., Ukraine, Uruguay, Venezuela, and Vietnam. This includes the large number of registrants who did not in fact vote.
Between May 30th and June 2nd, UK fans of comics and graphic novels can attend the BD (bande dessinée) & Comics Passion 2013, a series of events at the Institut Français in Queensberry Place, south-west London. [Facebook page]
The programme includes film screenings, artist talks and drawing workshops for children, teenagers and adults. There’s not much on the menu that’s explicitly furry, but the festival logo should appeal if nothing else! [Trailer]
Animation Scoop’s Greg Ehrbar reports that Foodfight!, the coming-soon CGI theatrical feature announced ever since 2004, has finally come out – as a direct-to-DVD release, on May 7.
This is definitely one for Crossaffliction’s proposed MST3K for bad anthropomorphic movies. Ehrbar reviews Foodfight! as, “It is truly one of the worst animated films ever made.” That is evident from the 1’44” trailer alone, which is included in the AS review.
I thank Lex Nakashima again for ordering these books from Amazon.fr and loaning them to me.
Hmmm. Well, you certainly gain a vocabulary of current French slang from reading this series. Ordi = PC. Les etrons = turds. La clope = cigarette. L’enfoire = bastard. Catin = whore. Lolcat = Sorry; that one’s American.
Filthy Beast (or Dirty Beast) Volume 1, “Hamster Catastrophe”, introduces the Bastogne family; father (unnamed), mother Vivienne, older daughter Elizabelle, younger daughter Amandarine, and cat Clarky. Their world is like ours, except that there is a factory, La Fabrique, that makes living pets to order.
An animal isn’t improvised here. We guarantee domestic PERFECTION.
Customers can order a bunny, a cat, a puppy, a ferret, a squirrel, a tarantula – anything – made to their choice. Calm to playful. Dominant to submissive. Quiet to expressive. Solitary to social. Stupid to intelligent. Brave to cowardly. Energetic to lazy. There is a long list. Eleven-year-old Amandarine whines that one of her classmates got a blue pony with wings for HER birthday, that her parents had designed it to graze on only the weeds in the garden … Their housecat Clarky comes from La Fabrique. He’s pale pink dotted with darker pink hearts; he’s intelligent; he loves everybody; and so on.
So the Bastognes decide to get Amandarine a designer pet for her birthday.
“Sale Bête. T.1, Hamster Drame”, January 2012, hardbound €10.60 (54 pages).
“Sale Bête. T.2, On Ira Tous au Charadis”, April 2013, hardbound €10.60 (48 pages).
Marcinelle, Belgium, Editions Dupuis; both written by Maïa Mazaurette, illustrated by Jean-Paul Krassinsky.
Furry author/editor Watts Martin has announced a new online magazine about furry fandom, Claw & Quill.
The magazine’s submission guidelines call for unpaid reviews, interviews, profiles and nonfiction narratives in the 1000–2000 word range. While acknowledging a “definite overlap” with Flayrah, Watts expressed a wish for C&Q to be “less “newsy” and more curated.”
Many know Watts as a story writer, but he has a long history of publishing and contributing non-fiction to furry ‘zines. He previously launched a fiction webzine under the same name Claw & Quill in October 2004, although it proved short-lived. Watts planned to reuse the name for a curated, social story archive similar in concept to Yerf, but the project stalled.
My first story for Flayrah was about Oscar, the first cat to get prosthetic limbs. Only one line – it was before Newsbytes were added – but the feline Oscar remains a good role model. (Unfortunately, the human Oscar, my fellow South African, multiple gold-winning Paralympian and first amputee to compete in the able-bodied Olympics, dropped the ball in that regard.)
There are many other examples of animals with prosthetics. Perhaps the most notable would be Winter, a dolphin with a prosthetic tail. In 2011, her story was adapted into a feature film, Dolphin Tail. Moving from a cat to her demonstrates the breadth of animals that these tools and surgeries are helping.
The Grand Sierra, location of the first Biggest Little Furry Convention (May 3-5, 2013), was packed with enthusiastic crowds of casino visitors. A person with free time or money couldn’t avoid fun if they tried. It had restaurants, swimming, bowling, gambling, movies, go karts, and more attached to a large and classy hotel. Holding a furry convention there just made things extra outrageous.
Even with the planned options, the place offered good fun just for wandering around. A buddy and I wandered out a side exit that led nowhere special. On the way back in, I was stopped by a blonde woman who looked like a vacationing professional. She gestured with an astonished look, and asked, “What’s all this about?”
“It’s a theatrical thing. It’s for a Furry convention”, I said.
“A what?”
I explained about people who like role-playing and creativity. She asked about the costumes.
“No two are alike,” I said, “I don’t build them, but there’s a lot of artists who do it here.”
“You’re doing pretty good at explaining this,” she said. “I just don’t know how to take it seriously from a big talking dog!”
“You’re doing pretty good yourself,” I told her. “And that’s the point. Being silly!”
Chappell Ellison reports on the Cartoon Brew website that the 1989 Capcom DuckTales video game is being remastered for a Summer 2013 release. The game will feature enhanced background graphics, and as much of the original voice cast as possible, including 90-year-old Alan Young as Scrooge McDuck.
DuckTales Remastered is being marketed for nostalgic new parents as much as for a new generation of players.
Young parents who grew up playing DuckTales on NES will leap at the chance to reintroduce the game to their kids on the contemporary consoles of today.
The Cartoon Brew report includes a 2’03” trailer for the coming improved rerelease.
As someone who has been in a community of artists, I hear a common conundrum arise:
I really want to leave this art site, but it’s too popular and leaving would mean losing out on a valuable resource to gain/keep customers.
This article presents ways you can use your control over your own works to influence your customers to view them where you wish them to, while also maintaining a presence so that others may find you.
This is written as a neutral piece and the methods can be used on any free art posting site. To that end, we’ll call the site you wish to vacate “BadVibeArt”, and the place you want to go “NewBeginningDoodles”. Both are general-use sites for stories and art alike, comparable to sites such as deviantART, Fur Affinity, Inkbunny, SoFurry or Weasyl.
Full disclosure: I wrote a blurb for this book, which is quoted on the back cover.
Farmost Star I See Tonight is a mystical, dreamy, touching romantic fantasy for shy teenagers. Whether humans or wolves, ‘omega’ adolescents may feel that they are alone. This novel will help them to see that their troubles are not unique or their fault, and that, even if they have not met them yet, there is someone out there for them.
Rian is a black-furred adolescent wolf and Lissa is white-furred. Otherwise, they are almost identical. Both are shy and lonely members of their packs, blamed by their parents for refusing to socialize, but finding nobody among their peers with whom they can truly be friends. Rian’s father Gull despises him for having no interest in pack dominance battles, and Lissa is left to take care of her younger siblings while her parents bicker and ignore them.
Then, Lissa was left alone in the dark with only her feelings of sorrow, self-hate, and loneliness to sooth her into sleep. (p. 7)
CreateSpace, March 2013, trade paperback $14.95 (188 [+ 3] pages), Kindle $6.00.
